With this production, the NIE Theater has transformed an empty bakery into a showcase. The audience sits in front of the glass pavilion on the sidewalk and is connected to the action via wireless headphones.
Photo: ©Dorothea Tuch. To the left of the bakery, which has been converted into a stage, you can see a screen attached to the billboard, showing the live broadcast from inside.
Photo: ©Dorothea Tuch. At the microphone: Florian Denk
THE TERM “GRIND” REFERS TO A STATE OF MIND THAT IS COMPLETELY OCCUPIED BY WORK AND DERIVES A SPECIFIC FORM OF SATISFACTION FROM THIS WORK. The prospect of inconsequentiality leads the NIE Theater ensemble to devote itself to the anthropological abysses of its work.
It plunges into the maw of Happiness at Work and returns with a factual report based on Edgar Allan Poe's fantastic tale “A Descent into the Maelstrom.”
A young man who looks like an old man, a band that found each other because of a misunderstanding; a room full of locked safes; big money, a well-timed exit, and a gilded farewell. THE MALSTRØM GRINDS AND THE SEARCH FOR THE VEHICLE THAT WILL BRING DEATH IS GREAT. WHO HAS THE PIN? IT IS POSSIBLE TO SURVIVE THE WHIRLPOOL, BUT ONLY SOAKED AND OLD.
The play is simultaneously audio-commented by one of the performers, streamed online, and thus takes place in two different ways simultaneously (differently).
Live Camera Still: Katharina Grählert. From left: Andrew Clarke and Florian Denk
Live-Camera-Still: Katharina Grählert. From left: Florian Denk, Josephine Nahrstedt and Jonathan Frisch
Live-Camera-Still: Katharina Grählert. From left: Florian Denk, Jonathan Frisch, Hannah Rumstedt and Andrew Clarke
Live Camera Still: Katharina Grählert. On the left, the stream audio commentator, who is taken by surprise by the ensemble here.
THE "GRIND" REFERS TO A STATE OF MIND THAT IS COMPLETELY ABSORBED BY WORK AND THAT DERIVES A SPECIFIC FORM OF SATISFACTION FROM THIS WORK. The prospect of inconsequence leads the ensemble of the NIE theater to devote itself to the anthropological abysses of its work.
It plunges into the maw of Happiness at Work and comes back with a factual account based on Edgar Allan Poe's fantastic tale "A Fall into Malstrøm."
A young man who looks like an old man, a band found because of a misunderstanding; a room full of locked safes; the big money, the well-timed exit and the gilded farewell. THE MALSTRØM GRINDS AND THE SEARCH FOR THE DEATH-PIERCING VEHICLE IS GREAT. WHO HAS THE PIN? IT IS POSSIBLE TO SURVIVE THE STRUDEL, BUT ONLY SOAKED AND OLD.
The piece is simultaneously audio annotated by one of the players, streamed on the net and thus takes place in two different ways simultaneously double (different).
It plunges into the maw of Happiness at Work and comes back with a factual account based on Edgar Allan Poe's fantastic tale "A Fall into Malstrøm."
A young man who looks like an old man, a band found because of a misunderstanding; a room full of locked safes; the big money, the well-timed exit and the gilded farewell. THE MALSTRØM GRINDS AND THE SEARCH FOR THE DEATH-PIERCING VEHICLE IS GREAT. WHO HAS THE PIN? IT IS POSSIBLE TO SURVIVE THE STRUDEL, BUT ONLY SOAKED AND OLD.
The piece is simultaneously audio annotated by one of the players, streamed on the net and thus takes place in two different ways simultaneously double (different).
